THIS IS MY FAVORITE EPISODE OF ANYTHING EVER
THIS IS MY FAVORITE EPISODE OF ANYTHING EVER
It’s still sort of surreal to see the billboards come up and you start to see the trailers playing and you say, ‘Wow, it’s actually happening.’ But a year and a half ago when I first got cast, I was certainly informed of how big it was gonna be so I’ve had that time to think about it, but yeah you still double-take at billboards and go, ‘What the hell is that?!’
I finally did one of these!!! Some of my favourite babs. I wanna do one of Steven and Garnet next.
This is what happens when your friend reminds you about audio editing. I ended up lowering the pitch on Let It Go from the new Frozen movie. And I gotta say, it’s really nice. Have yourself a listen and see what I mean.
And of course I had to draw a quick genderbend for this
oh man, I’m in love with this
THE NINE CHOIRS OF HEAVEN. An info-graphic for my editorial class and god am I thankful it’s done. Way too much went into this than what I had time for, but hey… I actually kind of like it?
Now excuse me, I must return to my fashion major lifestyle and go sew a coat u_u
EDIT: Re-uploaded with easier viewing!
My old student portfolio for Visual Development (Character Design) based on “Wicked” - PART 1 -
Because I often receive questions about portfolios, I thought, well, maybe it would be helpful for some to share my own personal experience accompanied by some visuals. Namely, my own portfolio I submitted to transition from the Animation department to the Visual Development department of Disney Feature Animation.
Now one thing that I will mention here as a disclaimer, and something that will probably be reiterated through out this post is that this is only my personal experience, and there is definitely not any sort of “formula” to make a portfolio for the Disney’s Vis dev. Portfolios that look nothing like this, share no common element, is just as likely to get you into the vis dev department. The acceptance is made by a committee of people, and not just one person’s personal taste or criteria.
Way back in the summer of 2007, I was an artistic intern at Disney. (Mainly 2D character animation, but also some story and vis-dev on the side.)
I was having lunch with one of our mentors at that time, Claire Keane, in which she gave us some advice on structuring a visual development portfolio.
One of her suggestions that stuck to me was to take one story, and dedicate the entire portfolio to it, as if you were developing that into a feature film.
This idea sounded good to me, because it made sense. It’s a semi-simulation of the kind of things you would be doing as a professional artist at Disney anyway, (which gives the reviewers a much better, reliable idea of how you would perform as a contributor) but it also gives the spectator a slightly more immersive viewing experience, as they are taken through one continuous story, with characters they understand, rather than having to adjust to brand new content with the turn of each page.
The many times I have reviewed portfolios, I have also found it a slight handicap to have to ask the artist, “Now, what is this thing from?” 4 or 5 times in one portfolio.
So in 2008, while I was working on Princess and the Frog, (still as a full time student at Calarts), I started on this visual development portfolio. I chose my story to be Wicked, the musical, which I am sure many of you are familiar with.
Now one thing before I elaborate further…
If I thought sharing with you my Frozen artwork was uneasy, showing this portfolio (which is my student portfolio from many years ago)… I honestly cannot shake the embarrassment.
But, as Tarkovsky once said, artists are there to serve.. And for one thing, after years of deciding never to show this portfolio on a public platform, I came to the conclusion of this; that it was always rather difficult talking about the type of portfolio that gets you into the doors of the animation industry, and because portfolios are so visual, visual accompaniment just makes more sense.
And for another, I always liked to see other artist’s various stages of development. Obviously nothing here represents me currently, but more shows where I used to be in the past.
When I look back at this portfolio, obviously I see so many flaws in terms of draftsmanship, design choices, character choices, taste etc, and I want to fix them all. But again, the purpose of this post isn’t to show who I am as an artist right now, but to dig up my past and say “Well this is how it happened for me in the past.”
Here is part 1 of the portfolio. I know for some it may be frustrating to have this divided into 2, but the nature of tumblr posts seem to want things kept short. So I’ll try and post part 2 of the portfolio as soon as possible. I want to say within the next day or two, but there’s just never knowing with when I’ll get another free moment.
I think what is probably most important to show in your portfolio is a strong draftsmanship, a good taste in design choices, and a special intuition for characterization.(I’m speaking for my own criteria when I review portfolios, and I don’t claim to represent anyone else’s.)
As you can see I also tried to pay attention to the presentation of the portfolio, which is why I tried to design the layout of it with the theme of “drawer of a Shiz student”.
I’ll probably try to address some of those things that I mentioned in future posts perhaps.
I hope this old student portfolio of mine gave you a better idea on who to shape your own. One thing I would recommend is to not copy exactly the method I used to form a portfolio, but see it more as a solution that will hopefully help you come up with your own solution on how to structure a portfolio.
Next up is Part 2, with some development designs of Fiyero, the Wizard, the Flying monkeys etc
if you’re ever feeling overdramatic just remember that zelda fitzgerald once threw herself down a flight of marble stairs at a party because her husband was talking to someone else
If you’re ever feeling overdramatic remember that…
In the Victorian era, hand-fans were used not only to cool oneself but also as a secret way to communicate the language of love. For example, by running one’s fingers through the fan’s ribs, one is trying to say, "I want to talk to you." The enigmatic language of the fan was widely used by both men and women.
I. A fan placed near the heart.
"You have won my love."
II. A closed fan touching the right eye.
"When may I be allowed to see you?"
III. A closed fan moved threateningly.
"Do not act so impudently!"
IV. A half-opened fan pressed to the lips.
"You may kiss me."
V. Covering the left ear with an open fan.
"Do not betray my secret."
VI. Hiding the eyes behind an open fan.
"I love you."
VII. Shutting a fully open fan slowly.
"I promise to marry you."
VIII. Fanning oneself slowly.
"I am married."
IX. Letting one’s fan rest on the right cheek or the left.
"Yes" and "No", interchangeably.
X. Opening and closing the fan several times.
"You are cruel."
XI. Fan in front of the face.
XII. Twirling the fan in the left hand.
"We are being watched."
XIII. Fan held over left ear.
"I wish to be rid of you."
XIV. Carrying an open fan in the left hand.
"Come and talk to me."
XV. Opening a fan wide.
"Wait for me."
XVI. Placing the fan behind the head with finger.
[Artwork: Secret, by Lee Yun-hi.]
Absolutely. These books contain different degrees of dystopia, and span from early 20th century to present day. The nightmares multiply greatly after the mid-1980s for reasons I won’t get into here (neoliberalism); and we seem to have hit saturation point. There’s a definite shift from novels about fascism & communism toward the spectres of consumerism, genetic engineering, media addiction, and environmental disaster.
Docu-Horror movies from the last few years that are actually good!
I know people hate these movies but I love them, the good ones at least, it’s not really a trend as much as it is a style and for certain things it works a hell of a lot better for certain subjects. Instead of getting irrationally angry at all of them, we should just start promoting the good ones and ignoring the bad ones.
Bigfoot: The Lost Coast Tapes
This is one of several Bigfoot docu-horror films that have been been made in the past few years. This one has the advantage of being the first to have a wide release (WIllow Creek is on the way next). It’s typical in places but watching it unravel to a bizarre, though noticeable if you pay complete attention, conclusion is fascinating. There are also some effective fright scenes that are shockingly well maintained.
A documentary that follows two investigators trying to track down the beginnings of the New York legend of Cropsey, it has some great spooky moments though and it’s fascinating to see what they uncover. Definitely a left-of-field release.
This one is notorious for not being available via DVD (even now!), it’s been around for years via download sites but it had its first premier on UK television a few months ago. It’s about a ton of tapes a serial killer recorded whilst carrying out his acts. There’s a weird cult-like fascination with the whole thing from those who haven’t seen it yet and it definitely lives up to the weird intrigue. It’s genuinely disturbing in places.
A mockumentary involving a group of people making a documentary about conspiracy theories in the modern world, their investigation, naturally, ends up hitting upon places they really shouldn’t be looking. It’s far more of a thriller than a horror but it’s fantastic nonetheless, one of personal favourites of this year as well.
WNUF Halloween Special
I only just watched this a few days back and it’s incredible, it’s a fabricated Halloween TV special from 1987 about a seance that takes place on live TV (a nod to Ghostwatch) and it looks ridiculously authentic with the 80s TV style aesthetic, enough to make you question whether it’s actually real or not. The filmmakers even went out of their way to make commercials for the damn thing. It’s probably my actual favourite film of this year so far, to be honest.
This is a strange one, it’s about a group of people who are making a documentary about one of their friend’s camping for the first time, for a project for class and they end up being attacked by strange creatures. But, that’s only a part of it, at some point there’s a complete shift and it’s utterly insane.
An Australian pseudo-documentary about the network of abandoned underground railway tunnels which were going to be used to extract water from, to help with the water shortage Sydney was going through at the time. However, the Government without warning abandoned the plan and didn’t tell anybody why, so a group of filmmakers set out to find out the reason, which they end up finding out and they wish they hadn’t. It’s really well put together with the mixture of found footage and documentary. It’s also notable for being spread via viral via torrents at the request of the filmmakers.
A modern docu-horror about aliens, finally! It focuses on a couple who go to stay at a rural ranch in Texas that is owned by one of their family members. They start experiencing weird things and start to unravel secrets said family member has been hiding through the years. First released this year and it’s really really eerie in places. A hell of a lot better than the more recent alien docu-horror Skinwalker Ranch.
Not exactly well known, I wouldn’t have heard about it if it wasn’t for becoming friendly with the director. It’s about two young film-makers who are desperate for a separate to document, they end up stumbling upon Anthony McAllistar a cannibal serial killer who lets them document his lifestyle. It’s worth watching for Alviano’s performance as McAllistar and the incredible practical effects. It’s in the same ball-park subject-wise as Man Bites Dog.
Told via a series of interviews, news reports and footage taken from the area, it tells a story about a town that has become plagued by mutant parasites which starts to kill the population. The eco-friendly message is a little too on-the-nose but the performances are effective and Barry Levinson’s (Good Morning Vietnam, Rain Man) direction keeps the pace going for the entire film, it’s also his best film in countless years.
When your parents have company over and you try to avoid leaving your room
Vine by: Gyalis in Paris
Abortion was not just legal—it was a safe, condoned, and practiced procedure in colonial America and common enough to appear in the legal and medical records of the period. Official abortion laws did not appear on the books in the United States until 1821, and abortion before quickening did not become illegal until the 1860s. If a woman living in New England in the 17th or 18th centuries wanted an abortion, no legal, social, or religious force would have stopped her.
Reminder that records of contraception and abortion exist all the way back to 1550 BCE in ancient Egypt!
This was a really fascinating read. Until the early 19th century, abortion was legal until “quickening,” or when the pregnant person first felt the baby kick - anywhere from 14 to 26 weeks into the pregnancy. Society only began to condemn it when people decided white, middle- to upperclass women weren’t having enough children soon enough in their lives, and when male doctors started taking over traditionally female health care fields, like midwifery.
Yep, shockingly enough, it’s never, ever been about the life of the fetus - only about misogyny, racism, and classism (ableism, too, though the article doesn’t discuss it).